The Legendary Prunella Scales: From the Iconic Fawlty Towers to Great Canal Journeys
Prunella Scales, who died at the age of 93, was regarded as among Britain's most brilliant comedic performers.
Despite a long and distinguished career on stage and screen, her legacy will forever be linked as Sybil Fawlty in the 1970s TV comedy, the beloved Fawlty Towers.
Sybil's primary objective in life to keep tabs on her "stick insect" husband Basil - played by John Cleese - between cigarette-fuelled phone conversations with her friend, Audrey.
She was tasked to calm visitors who had been shouted at, completely overlooked or, in some cases, physically confronted by Basil when in one of his more manic moods.
Her unforgettable cackle, extraordinary hairstyle and intense anger were part of a meticulously crafted persona that ranks as a comic masterpiece.
And while numerous performers would have removed themselves from excessive identification with a single role, Scales consistently voiced her delight in participating of the Fawlty Towers phenomenon.
Early Life and Career Beginnings
The actress born Prunella Margaret Rumney Illingworth came into the world near Guildford on 22 June 1932.
She belonged to a household profoundly passionate about the theatre - her mother being, Catherine Scales, a former actor who'd given it all up for marriage and children.
Bright and bookish, following evacuation during the war to the Lake District, Prunella attended Moira House educational institution in Eastbourne.
In 1949, she earned a scholarship to the Old Vic Theatre School and - after two years - secured a position as an assistant stage manager.
This was to the fury of her previous school principal in her hometown, who had hoped she would apply to Cambridge and wrote to the theatre to tell them so.
At drama school, Scales was perceived as a developing character performer instead of an obvious Juliet.
"Everyone aspired to resemble Audrey Hepburn," she subsequently informed her chronicler, "however I lacked conventional beauty and attracted no admirers."
The youthful Prunella concealed her middle-class roots, aware that producers started seeking authentic working-class realism in their actors.
Nevertheless she began acquiring minor parts in theatrical productions, and, during preparations for a role at Worthing's Connaught Theatre, she encountered Andrew Sachs, who would subsequently appear as Manuel the Spanish server, in the famous series.
There was an early television appearance in 1952, as Lydia Bennet in a television adaptation of Jane Austen's Pride and Prejudice, which included Peter Cushing - better known for his horror film performances - as Mr. Darcy.
Her initial film appearances followed the next year - in romantic comedy, Laxdale Hall, and David Lean's production Hobson's Choice, alongside Charles Laughton.
During the late 1950s and early 1960s, she maintained constant employment - appearing on stage, film and television, including a brief stint as transport worker, Eileen Hughes, in the popular soap Coronation Street.
She additionally encountered fellow actor Timothy West.
Following what she characterized as "a mild Times crossword and Polo mints flirtation", they got together, and wed in 1963.
Career Milestones and Defining Characters
Her major television opportunity arrived through the series Marriage Lines, a comedy program about a newly married couple, George and Kate Starling.
Scales performed alongside Richard Briers, at that time a major celebrity in television comedy. The program achieved great success and continued for five seasons.
Then came Fawlty Towers, which elevated her to cultural icon.
John Cleese and his then wife, Connie Booth, had submitted the first script of their comedy creation to the BBC.
Actress Bridget Turner had been approached to play the Sybil role but she declined the part and Scales tried out for the character.
She later remembered that Cleese was a hard taskmaster.
"John, quite rightly, was extremely rigorous about learning the script, and if you didn't, he could get quite cross, which was fair enough."
Merely twelve installments were ultimately produced.
The first series, which aired in 1975, didn't immediately attract massive viewership but, as it continued, its comedic combination of ridiculous physical comedy and awkward circumstances grew in popularity.
Scales carefully considered about how to play Sybil Fawlty, and decided that her social background had to be inferior to Basil's social standing.
At first, the creators were unsure about the treatment.
"After witnessing the initial read-through," recalled Scales, "they were sold on the idea."
In subsequent years, she was, all too often, requested to portray "dragons" and "old bags" when she hankered after elegant characters.
But when asked about what she thought was the high point, Scales had no hesitation in selecting Sybil Fawlty.
"It was a tough job," she maintained, "but I'm still proud of it." She even thought it helped get audience members into performance venues.
"I like to think that if the public have seen you in one thing they'll come and see you in another," she said.
Subsequent Work and Private World
Following Fawlty Towers, Scales maintained her career in television, comprising an engagement as the frumpy Elizabeth Mapp in ITV's Mapp and Lucia.
Her vocal talents were frequently featured on radio, notably the BBC Radio 4 sitcom, which later transitioned to TV, and the series Ladies of Letters, with Patricia Routledge, which became an intrinsic part of the program Woman's Hour.
Scales appeared in at two major royal roles; as Queen Elizabeth in the television drama of Alan Bennett's work, and as Queen Victoria in a one-woman show that she performed 400 times.
She once received a letter from a royal protection officer who confessed that when Scales appeared, he rose to his feet.
"It was a knee-jerk reaction," she clarified. "I was thrilled."
In 1995, she started appearing as Dotty Turnbull in television commercials for the retail chain Tesco - which compensated her partially with shopping credits.
The campaign, which continued for nine years, was identified as the primary reason in propelling it to market leadership in the mid 1990s.
Scales subsequently faced some gentle criticism for participating in the Tesco adverts, when she backed a campaign to prevent neighborhood store closures in her area of London.
Among her most accomplished roles appeared in the production Breaking the Code, the film about World War II cryptanalysts.
She appears as Alan Turing's mother, who represents a culture that treated homosexual acts as a crime, an attitude that eventually led to his death.
Beyond performance, {Scales was